![]() Structure should fit the story, not the other way aroundīook chapters are not TV episodes. ![]() That's not a flaw.įorcing the story to fit a rigid, arbitrary amount of pages – like a screenplay that must introduce pre-requisite conflicts at "percentages" of running time to fit cinema turnover schedules or TV commercial breaks – is much likelier to lead to narrative flaws, even if clever writers are good at constructing stories that make such contrived "conflict beats" seem natural. Don't worry that some are long and some are short. It sounds like the divisions emerged organically and intrinsically from the story – that's how it should be. Are there any commonly accepted guidelines for choosing parts vs chapters vs sections for the work described above and where could we read about it? We are aware of this question and agree with both answers however, they are more than 6 years old. We are kind of content with this sectioning and are not necessarily looking to change it - we are only looking for any well-articulated and commonly accepted reasons to improve what we have. The sections contain more of a high-level topic as the plot develops within one location. The chapters currently contain hugely different locations as the plot moves across the book's universe. The only problem is that early in the manuscript the chapters are much shorter, and increase in length as the text goes. The work is almost complete and I have typeset it for the time being as chapters and sections, but now we both are debating, whether our chapters look rather like parts, and our sections should be chapters. Currently it is divided into 8 chapters and each has from 2 to 10 sections with 8 being most common. The overall volume of the manuscript is around 700 pages and she is planning a sequel or several under the same title with different subtitles. It has elements of a psychological drama and bits of other styles, such as crime and action. The book is a science fiction novel, but not purely science fiction. ![]() This is mostly based on the LaTeX memoir document class which I used to typeset the book. I am working with an author, whose approach is to write her text, approximately divided by indicators where she wants the breaks to be, with the idea that later she and I would improve the breaks and decide, what will the sections become: parts, chapters, sections, etc.
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